tag:blogger.com,1999:blog-75646094814845254792024-03-14T10:53:41.486+01:00Broken ShowcaseLearning the Art of Animationvhttp://www.blogger.com/profile/11649660527259603770noreply@blogger.comBlogger49125tag:blogger.com,1999:blog-7564609481484525479.post-48645775824834594612014-12-07T20:17:00.003+01:002014-12-07T20:19:04.335+01:00Week 10 - First splining pass<div class="separator" style="clear: both; text-align: left;">
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Just moved to spline without doing anything </div>
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first splining pass<br />
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-48062987907163094552014-12-06T16:23:00.000+01:002014-12-06T16:31:09.047+01:00Week 9 - A bit more blocking+<div class="separator" style="clear: both; text-align: left;">
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-15690061454786866542014-11-23T19:37:00.002+01:002014-11-23T19:38:27.849+01:00Week 08 - Even more blocking<div class="separator" style="clear: both; text-align: left;">
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-79581501550009476442014-11-18T20:53:00.000+01:002014-11-18T20:53:30.016+01:00Week 7 - More Blocking<div class="separator" style="clear: both; text-align: left;">
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I have to redo the mouth with a system, not just throwing mouthshapes in there, where it seems to be important ;)</div>
<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-915265324548650392014-11-09T21:42:00.003+01:002014-11-09T21:58:34.386+01:00Week 6 - Blocking Dialogue<div class="separator" style="clear: both; text-align: left;">
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Blocking of the new shot</div>
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<object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://i.ytimg.com/vi/INr_F35QB2o/0.jpg"><param name="movie" value="https://www.youtube.com/v/INr_F35QB2o?version=3&f=user_uploads&c=google-webdrive-0&app=youtube_gdata" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://www.youtube.com/v/INr_F35QB2o?version=3&f=user_uploads&c=google-webdrive-0&app=youtube_gdata" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
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...and something inbetween blocking and splining from the boomerang shot</div>
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-62155402696259758002014-11-09T21:40:00.000+01:002014-11-09T22:19:52.527+01:00Week 5 - Planning Dialogue<div class="separator" style="clear: both; text-align: left;">
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Video reference for 3 acting soundfiles:</div>
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Planning:</div>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx1R6gGFzjkli2XRw_4943F-V8qhRiC2lYVLh2vLiqHry31QdzlFJxk3_x_PgUZn5ZEEHPpGwLaT5NTCA75EPf5h9GsSwEYEM-Pn2lOfJLrQVqTkHHDpYJ9ZEAPZmqN3b_y5tnBbmiPsvf/s1600/aia_poses_w5.jpg" height="320" width="320" /></div>
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Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-68715711965056193712014-10-26T15:28:00.000+01:002014-10-26T15:32:39.173+01:00Week 4 - Blocking Plus<div class="separator" style="clear: both; text-align: left;">
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Mentor Notes:Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-26397453657115815022014-10-24T15:59:00.000+02:002014-10-24T15:59:43.937+02:00Week 03 - Still Blocking<div class="separator" style="clear: both; text-align: left;">
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Mentor Notes:</div>
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- Stronger emotion is needed at the beginning</div>
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- Put in excitement after throw</div>
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- f40/41 insert inbetween</div>
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- f56 is not in balance, bring foot more forward</div>
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- let him lean into direction of interest</div>
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- f142 - knees are too bent</div>
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- get rid of the treee behind him, it breaks up the silhouette</div>
<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-56774823513765925032014-10-13T21:42:00.001+02:002014-10-13T22:09:50.884+02:00Week 02 - Blocking<div class="separator" style="clear: both; text-align: left;">
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Reference:</div>
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Blocking:</div>
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Mentor Notes:</div>
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-How is he surprised of the boomerang when he's looking right into the direction it's coming from?</div>
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-Stick a couple of trees around or something that's blocking his view (makes more sense that returning boomerang suprises him)</div>
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-Pose on frame 83 feels awkward</div>
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-Don't let him look on places the boomerang can't be (towards camera, to the right) it would make more sense for him to look more up</div>
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-f167 work on this pose - get him much lower to the ground through this part, give him a deep crouch (squash:)</div>
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-f173 immediatly turn your head - facing away</div>
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-f109 the feet are a bit too parallel</div>
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-Put returning boomerang in shot</div>
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- If you run out of time, cut the run at the end</div>
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-f169-173 you can have a bit of a scramble happen in the feet, here </div>
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-controlled moves at the beginning, then panic (chaos) - that's the emotion change</div>
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-f171 freeze in this pose with big eyes. then relax a bit, blink blink (thinking "what just happened?")</div>
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I tried greasepencil to draw clearer lines of action on my shot:<br />
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-89593565027253099772014-10-06T21:21:00.002+02:002014-10-06T21:21:48.450+02:00Week 01 - Pantomime<div class="separator" style="clear: both; text-align: center;">
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yay, new term :D</div>
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this week, it's all about pantomime</div>
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in my shot stewart is going to throw a boomerang, waiting for it to come back but instead of just the boomerang, a rotating cow is sitting on top of it and flying across the scene. surprised stewart is surprised and then... </div>
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planning:</div>
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something i found:</div>
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-38222084320411829792014-09-19T22:58:00.003+02:002014-09-29T22:31:21.654+02:00Week 12 - Current AM-Reel<div class="separator" style="clear: both; text-align: left;">
I didn't update the stuff from the first classes ;)</div>
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Things to remember:<br />
- Frame by frame through great animation to learn how to push ideas and add texture to animation<br />
- When shooting Reference Vids prefeel emotions before pressing record on vid cam<br />
- Never forget the power of Breakdowns :) Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-49802841657537275242014-09-19T22:52:00.003+02:002014-09-24T21:26:22.651+02:00Week 11 - Prefinal Assignments<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/WO7EFhnlTnM?feature=player_embedded' frameborder='0'></iframe></div>
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Mentor notes: </div>
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Dancing Stan: </div>
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- f141-151 - leg straightens and then bends again (causes knee pop)</div>
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- f64 - foot pops up too quick, drag foot more</div>
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- f69 - something weird with this frame, have foot not so much up </div>
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- f34 head popping, have it more to the left (draws over near frames to find out what position fits best)</div>
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- f139-f152 - SR shoulder is funky, when coming up to f136 have the shoulder where it is on f150</div>
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Just hold pose up there without this weird drift</div>
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Catching Bus:</div>
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- f42 - head is drifting around, just hold still after she hit the floor</div>
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- f54 - pop in back arm (cheat it over cut)</div>
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- f55 - pop in the front arm (let it come up slower)</div>
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- f113 - leave hand in this pose, weird stuff is going on with her thumb (hit it on f56 and leave it til 113)</div>
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- add a blink somewhere around frame 99</div>
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<span class="GCUXF0KCLB"><a class="GCUXF0KCKB" href="https://www.blogger.com/null" kind="label AM"></a><br /></span>Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-73620926030409428272014-09-07T21:18:00.000+02:002014-09-24T20:59:45.972+02:00Week 10 - Neverending Dance<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/IbI-6ZETE9Y?feature=player_embedded' frameborder='0'></iframe><br />
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Mentor Notes:<br />
- Add smearframes now, scale up hand on f15, f16,<br />
- (Draws over hands and arms to avoid pops and make smoother arcs)<br />
- "You need polish at the end (...) Feels a bit herky jerky"Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-37058155624569528912014-09-01T21:26:00.001+02:002014-09-24T20:49:39.201+02:00Week 9 - Snappy Timing<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/rGQsLqIbAE8?feature=player_embedded' frameborder='0'></iframe> </div>
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- If Rig has different proportions than your Reference, look that it's workign with your Model Don't stick to Ref.<br />
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Like Mr. Incredible:<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/s60px65Rz0M?feature=player_embedded' frameborder='0'></iframe> </div>
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00:58: The animator used his ref just for the upper body of Mr. Incredible. After that, he figured out what to do with the legs.</div>
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Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-47559932790953077282014-09-01T21:24:00.000+02:002014-09-24T20:43:25.321+02:00Week 8 - Spline the Dance<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/d-TZQWZwT5w?feature=player_embedded' frameborder='0'></iframe></div>
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Mentors comments:<br />
- Not ready to show / give comments, in the middle of splining<br />
- Try not to get fluid movements through the shot<br />
- Snappy timing from pose to pose<br />
- Dances are a lot of work and a lot of headaches but it will be fun :)<br />
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Things to remember:<br />
- Don't forget to exaggerate<br />
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Demo-time :)<br />
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- Jasons (our Mentors) CTRL+R hotkey resets the actual control to 0 (have try it)<br />
- Jason normally uses GUI-Pickers but for us he worked with the Curves. -> <span style="background-color: #e69138;">He used additional Layers for curves he didn't use</span> that's clever, so he don't accidently selects or keys the wrong controls<br />
<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-70532493705004979492014-08-17T22:13:00.003+02:002014-09-23T13:36:42.177+02:00Week 7 - Blocking<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/1dTyeLpIxLs?feature=player_embedded' frameborder='0'></iframe> </div>
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Mentor Comments:</div>
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- Stans proportions are different. His hands are much bigger. Having them rest on the knees doesn't work. Put them on the ground instead. </div>
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- Then drag hands across the ground</div>
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- 2nd option: Hands on belly</div>
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- Watch out the knees of stan. They always should be slightly bent.</div>
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What I should remember:</div>
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- Animation is about communicating ideas and performance to the audience</div>
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- Make poses strong (character pose have to work in silhouette - like Charlie Chaplin)</div>
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- Keep it simple</div>
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- Don't fiddle around with details before dealing with the <span style="background-color: #ffd966;">essence of your shot.</span> </div>
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- Main idea has to be clear for the audience. What do you want to show? How are you going to show it?</div>
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- Blocking has to be timed right, before you go to spline </div>
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-67678520393787329122014-08-10T21:37:00.000+02:002014-09-24T21:27:12.037+02:00Week 6 - Planning Dancing Stan<br />
New Shot :)<br />
I was inspired by Yanis' Marshalls great choreographies<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/Q46bqgdRYDU?feature=player_embedded' frameborder='0'></iframe></div>
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Here's my planning for the "Cream" by Prince choreo Part. Just 150f of it:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj15rhqpMfNgfKM0hbTbR5VOyL90deZ8nAWY8eSS8gwGtoCU-accNFEuCSiCHqNUrSSLpJFG7QoK_QmwjUTnYt-5ZztwSYZ4GfL0M75CvOSeUr_k_ncilZY7kJjNs1excJ5Y9jg-MMeyZV/s1600/dancing_stan_planning_w6.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj15rhqpMfNgfKM0hbTbR5VOyL90deZ8nAWY8eSS8gwGtoCU-accNFEuCSiCHqNUrSSLpJFG7QoK_QmwjUTnYt-5ZztwSYZ4GfL0M75CvOSeUr_k_ncilZY7kJjNs1excJ5Y9jg-MMeyZV/s1600/dancing_stan_planning_w6.jpg" height="320" width="316" /></a><br />
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First few Keys<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/QWJsLGHHqIU?feature=player_embedded' frameborder='0'></iframe> </div>
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(After this, i started from scratch but it was good to mess around with the new Rig a bit)</div>
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Mentor notes:<br />
- Tone down shoulders, they move a lot<br />
- Use FK because hands are never locked<br />
- Get it working from camera angle -> Front view like reference<br />
- Get inbetweens where they're hnessecary. Push those offsets<br />
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___<br />
<span style="background-color: #ffe599;">What makes a great animator aren't his keyposes. It's how he get there.</span><br />
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Watch the cartoony animation of Mushu (Mulan)<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/7AT4FuGxTMg?feature=player_embedded' frameborder='0'></iframe> </div>
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Aaaand Presto (smallest anticipation before action to lead eyes of the audience there)</div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/QCrhxRXo0CY?feature=player_embedded' frameborder='0'></iframe>Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-86769527028405249442014-08-03T21:36:00.000+02:002014-09-24T21:04:13.758+02:00Week 5 - Between Things<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/7MWEY8mzHEU?feature=player_embedded' frameborder='0'></iframe> </div>
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Comments from Mentor: </div>
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- When she comes up, let her settle down nicer. Now it's like she hits a wall</div>
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- (He draws over the head to improve the falling curve)</div>
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- Hold f91 a bit, then go back with the hand and on pose on f112 stop the action</div>
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- Her left hand goes through her face before getting up</div>
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Not finished yet but our mentor said we could have a break from our first shot for now.</div>
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Things to remember: </div>
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- Get clear Key poses</div>
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- How to get from Pose A to B is important. Chose the most interesting breakdown</div>
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- Check out <a href="http://en.wikipedia.org/wiki/Chuck_Jones">Chuck Jones</a> sometimes (Road Runner)</div>
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<a href="https://www.youtube.com/watch?v=9Y94u3Kr4a8"><span style="background-color: #e06666;">Ed Hooks</span></a> says: Watch People. Licence to stare. Everyone is a hero in their own life. Every character should have a power center.</div>
Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-78490362149869972782014-07-27T16:30:00.000+02:002014-09-05T15:43:26.770+02:00Week 4 - More Splining<div class="separator" style="clear: both; text-align: left;">
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What I learned this week: </div>
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Cam Rules:</div>
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- Try to find the "best seat in the house" when searching for the perfect camera angle</div>
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- Cut on a period, as soon as the sentence ends</div>
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- Cut at the comma (to the other persons reaction)</div>
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- Cut o a pause</div>
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- Do not cut from a medium shot to another medium shot</div>
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Animation</div>
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- Accentuate loudest word with gesture, move or mimic</div>
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- Choose the most interesting breakdown, linear is boring </div>
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://i.ytimg.com/vi/7_wZCLn6GmA/0.jpg" height="266" width="320"><param name="movie" value="https://www.youtube.com/v/7_wZCLn6GmA?version=3&f=user_uploads&c=google-webdrive-0&app=youtube_gdata" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://www.youtube.com/v/7_wZCLn6GmA?version=3&f=user_uploads&c=google-webdrive-0&app=youtube_gdata" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-66172132539884074412014-07-21T23:43:00.000+02:002014-09-24T21:03:35.719+02:00Week 3 - First pass Splining<div class="separator" style="clear: both; text-align: left;">
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Things to remember:<br />
- Have a moment of celebration when turning a shit in ^^ enjoy that it is alive now<br />
- Straight inbetweens completely kill the essence of an action<br />
- Webcams run with 15fps, that's great for finding smear frames (- tip by dana boadway)<br />
- Break stuff when it smooths the arc out<br />
- Don't offset keys! Make another Keyframe (in Blocking)<br />
- When you grab something, grab first with small finger<br />
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Mentor notes: </div>
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- things to improve the bus and cam movement</div>
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- after bus leaves, she can slump down</div>
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- she moves both arms at the same time, put screenleft hand where it is in the end-pose</div>
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- f1-3 make sure she's moving forward</div>
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- tZ should be a bit smoother</div>
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- trip has too much frames (it slows down too much)</div>
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- kick forward on f18 doesn't work</div>
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- (draws over poses) </div>
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- watch head spacing on fall and add more frames for rebound</div>
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- add more time around f34, give body and legs more time</div>
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-54281010243558825852014-07-14T14:11:00.004+02:002014-07-14T14:13:14.770+02:00Week 2 - Hotkeys and BlockingJason, our Mentor shared his Maya hotkey configuration with us! It's so great, now i don't have to do all the clicking and shifting anymore when dealing with my timing in Mayas Timeline, i can simply press "k" for deleting an inbetween, "l" for inserting one and "m" for deleting a key.<br />
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Also I decided to make hotkeys for the Outliner (8), Graph Editor (0) <-- like in XSI<br />
and for the Playblast (9)<br />
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I NEVER WORKED SO FAST, IT'S A DREAM :D<br />
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Happy, happy, happy, happy...<br />
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Here my blocking pass for this week:<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/l1tyPGbrVxU?feature=player_embedded' frameborder='0'></iframe> </div>
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Mentor comments:</div>
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- He likes it :)</div>
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- Camera should trackout faster and come then back a bit for a nice snap</div>
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- I may add cubes indicating buildings</div>
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- The stretched pose holds for 5f, that's too long (2f is enough)</div>
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- Then he asked me to add a few breakdowns, here and there and drew over different poses...</div>
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- At the last pose she comes up, just moving the elbows, she has to move her shoulders first and her arms after</div>
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- After she's coming up, she has to settle down a little bit with a nice arc in it </div>
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-14127638904835727442014-07-07T13:56:00.000+02:002014-07-14T13:59:15.823+02:00Week 1 - Staging, Composition and PlanningYay, i'm back to AM and in Class 3 already...<br />
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Goal of the first Week was to plan a new shot or a series of 3 shots for the whole term and i decided to do three different shots :)<br />
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These were the themes we could choose of:<br />
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<tr><td>1. Obstacle course</td>
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<td>2. Super hero school</td>
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<td>3. Olympian training</td>
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<td>4. Soccer Star</td>
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<td>5. Weight loss gym</td>
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<td>6. Espionage service</td>
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<td>7. Construction site</td>
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<td>8. On the playground</td>
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<td>9. Pick your own theme<br />
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I chose "Pick your own theme" and thought of an overcomplicated shot with 200f where my character should run, fall down, do a few painful bounces on the head and body and finally coming to a rest. Then coming back up and seeing the bus, she was supposed to reach driving away, and her sad reaction to it.<br />
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Yeah. It was too much. I'm now doing: running, falling down, coming up, being devastated.<br />
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Planning pages:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeokk_osgmPqxgoHWtTKR1NYRteMgRum1vi7Trl60KkqzuF8yOxEC8YVnVQQ4MvlJunY6NccaDn3RNQAOkM9jp4IPt1oM8A5HzCvTG3NOPorebHI3uHWVr2_uCyVNrxP2NUW6EprXp9_u0/s1600/planning_page1_week1_class3.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeokk_osgmPqxgoHWtTKR1NYRteMgRum1vi7Trl60KkqzuF8yOxEC8YVnVQQ4MvlJunY6NccaDn3RNQAOkM9jp4IPt1oM8A5HzCvTG3NOPorebHI3uHWVr2_uCyVNrxP2NUW6EprXp9_u0/s1600/planning_page1_week1_class3.png" height="237" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmobJxJtB2XWzsfp64v29DfF0ONRJNiUEPyn2dNsGAGuIkzHlfK-sNt8gtkoa9_TnkaioPJeHsxBMRxCZrOnvvUgbzrjeyONCJ756g7TDuVPRvDh2Mvj-qsF8SY3o-b942ixZicf68CCSk/s1600/planning_page2_week1_class3.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmobJxJtB2XWzsfp64v29DfF0ONRJNiUEPyn2dNsGAGuIkzHlfK-sNt8gtkoa9_TnkaioPJeHsxBMRxCZrOnvvUgbzrjeyONCJ756g7TDuVPRvDh2Mvj-qsF8SY3o-b942ixZicf68CCSk/s1600/planning_page2_week1_class3.png" height="210" width="320" /></a></div>
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Reference vid:<br />
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Mentor Comments:</div>
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-Place something in the Blocking scene Stella (the Rig) can trip over</div>
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-You can even slump down her head more on the last pose</div>
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-Don't go over 120f</div>
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-Key frames on 1, 7, 10, 14, 18, 22, 27, 31, 35, 42, 53, 66, 78, 104, 120 </div>
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Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-91182648011357938842014-03-26T23:54:00.003+01:002014-03-26T23:54:44.258+01:00Week 11 - More Polishing<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/rnhMYQbUv9I?feature=player_embedded' frameborder='0'></iframe></div>
<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-84321124786482295912014-03-21T14:58:00.003+01:002014-03-21T14:58:56.893+01:00Week 10 - Polishing<div class="separator" style="clear: both; text-align: left;">
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<br />Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0tag:blogger.com,1999:blog-7564609481484525479.post-45526823156468136262014-03-12T19:31:00.000+01:002014-03-12T19:33:27.406+01:00Week 9 - Splining Disaster<div class="separator" style="clear: both; text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/LJIwofztGVQ?feature=player_embedded' frameborder='0'></iframe></div>
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This piece needs a lot of work... Verahttp://www.blogger.com/profile/10061373611828293342noreply@blogger.com0